www.hasselblad.com
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DIGITAL CAMERAS
Technical specication
SPECIFICATIONS DIGITAL FEATURES
H3D-22 H3D-31 H3D-39
Sensor size 22 Mpixels (4080×5440 pixels) 31 Mpixels (4872×6496 pixels) 39 Mpixels (5412×7212 pixels)
Sensor dimensions 49.0×36.7mm 44.2×33.1mm 49.0×36.7mm
Image size Raw 3FR capture 30 MB on
average. TIFF 8 bit: 66 MB
Raw 3FR capture 40 MB on
average. TIFF 8 bit: 95 MB
Raw 3FR capture 50 MB on
average. TIFF 8 bit: 117 MB
File format Lossless compressed Hasselblad Raw 3FR
Shooting mode Single shot
Color denition 16 bit
ISO speed range ISO 50, 100, 200 and 400 ISO 100, 200, 400 and 800 ISO 50, 100, 200 and 400
Image storage CF card type U-DMA (e.g. SanDisk extreme IV), ImageBank-II or tethered to Mac or PC
Color management Hasselblad Natural Color Solution
Storage capacity 2 GB CF card holds 66 images on
average
2 GB CF card holds 50 images on
average
2 GB CF card holds 40 images
on average
Capture rate 1.4 seconds per capture
41 captures per minute
1.2 seconds per capture
42 captures per minute
1.4 seconds per capture
39 captures per minute
Color display Yes, 2.2 inch OLED type, 24 bit color
FlexColor workow for the professional photographer
FlexColor offers an image processing workow with the highest degree
of control in tethered operation, with tools like overlay masking help-
ing to bring productivity to advanced set composition. FlexColor allows
the photographer to manipulate color temperature and compare image
details across multiple images. FlexColor processes the Raw 3FR les
generated by the Hasselblad H3D. FlexColor runs natively on both
Macintosh and Windows computers and is licensed to allow you to
provide free copies for all your co-workers and production partners.
Modular design for exiblity
The H3D offers the choice of working with lm using a Hasselblad H
System lm magazine. This option permits photography in extreme
temperature environments or when extreme exposure times are
demanded.
For increased usefulness, the digital capture unit of the H3D can
also be detached and used on a view camera by way of an adapter.
In this case the unit is controlled by the ash sync signal from the
view camera shutter.
MTF BEFORE AND AFTER DAC
The red dotted lines indicate the
improvement made by the DAC
chromatic aberration correction.
Example: HC 35mm