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ULTRA-WIDE & WIDE LENSES
15
EF 20mm f/2.8 USM
The optical performance, fast f/2.8
speed and ultra-wide-angle coverage
make this a great choice for many
applications, like interiors, scenics,
travel and photojournalism. It uses a
“floating” optical system for excellent
sharpness even at itsminimum focusing
distance of under 10 inches (0.25m),
and with a ring-type USM and full-time
manual focusing capability, offers the
speed and handling pros expect.
EF 24mm f/1.4L USM
That f/1.4 isnot a typo—this isthe
fastest ultra-wide-angle lens in the
world. The firstEF lens to combine
Aspherical and UD Ultra-low Dispersion
glassL-series optical technologies, the
24mm f/1.4L provides outstanding
sharpness and contrast even wide open.
It focuses down to 10 inches/0.25m,
and the AF is what you’d expect from a
professional Canon lens with USM—fast
and silent, with smooth full-time
manual focus available at any time.
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Aspherical lens
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UD lens
Wide and Fast
If you need an ultra-wide angle and a large aperture, one of the
following lenses will fit the bill. Ultra-wide-angle lenses can capture
scenes beyond your natural field of vision. The EF 15mm f/2.8
Fisheye, the widest of them all, has a 180˚ angle of view. For more
normal-looking wide-angle shots, there are longer wide-angle lenses
up to 35mm with the maximum aperture you need.
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EF 15mm f/2.8 Fisheye
A full-frame fisheye lens that’s ideal for
special effects with any EOS camera,
film or digital. It focusesas close as
eight inches(0.2m), and is tack-sharp
throughout its focus range. Up to three
gel filters can be inserted into its built-in
rear filter holder.
EF 14mm f/2.8L USM
This isa true rectilinear ultra-wide-angle
lens that’s absolutely corrected for
linear distortion—straight lines remain
straight. It’s outstanding for shooting
in confined areasand interiors, and is
often used by professionalsbecause of
the unique “look” its extreme wide-
angle perspective provides. The optics
are superb, highlighted by a ground
and polished aspherical element. It
hasa gelfilter holder in the rear that
allows up to three gel filters to be used
for color correction.
EF 15mm f/2.8 Fisheye
•f/16 •1/640 sec.
EF 24mm f/1.4L USM
•f/8 •5 sec.