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KODAK VISION2 HD Color Scan Film 7299 • H-1-7299t 3
EXPOSURE TABLE - TUNGSTEN LIGHT
At 24 frames per second (fps), 170-degree shutter opening:
KODAK VISION2 HD Color Scan Film at
nominal speed of EI500
KODAK VISION2 HD Color Scan Film at
nominal speed of EI320
Use this table for average subjects that contain a
combination of light, medium, and dark colors. When a
subject includes only pastels, use at least
1
⁄
2
stop less
exposure; dark colors require
1
⁄
2
stop more exposure.
RECIPROCITY CHARACTERISTICS
You do not need to make any filter corrections or exposure
adjustments for exposure times from 1/1000 to 1 second. If
your exposure is in the 10 second range, it is recommended
that you increase your exposure by1 stop and use a KODAK
Color Compensating Filter CC 10R.
PROCESSING
Process in Process ECN-2.
Most commercial motion-picture laboratories provide a
processing service for these films. See KODAK Publication
No. H-24.07, Processing KODAK Color Negative Motion
Picture Films, Module 7 available online at http://
www.kodak.com/US/en/motion/support/processing/h247/
h2407.pdf, for more information on the solution formulas
and the procedure for machine processing these films. There
are also pre-packaged kits available for preparing the
processing solutions. For more information on the
EASTMAN ECN-2 Kit Chemicals, check Kodak's Motion
Picture Films for Professional Use price catalog.
IDENTIFICATION
After processing, the product code numbers 7299 (16 mm),
emulsion, roll, and strip number identification, KEYKODE
Numbers, and manufacturer/film identification code (EI) are
visible along the length of the film.
Lens
Aperture
f/1.4 f/2 f/2.8 f/4 f/5.6 f/8 f/11 f/16
Footcandles
Required
5 10 20 40 80 160 320 640
Lens
Aperture
f/1.4 f/2 f/2.8 f/4 f/5.6 f/8 f/11 f/16
Footcandles
Required
8 16 32 64 125 250 500 1000
FILM-TO-VIDEO TRANSFERS
KODAK VISION2 HD Color Scan Film 7299 is intended
exclusively for telecine transfer using the KODAK VISION2
HD Digital Processor. With the telecine set to the nominal
starting conditions as recommended for the KODAK
VISION2 HD System, color and tone characteristics can be
automatically set to match the baseline technical starting
point of any other Kodak color negative film. Once set to this
starting condition, normal color correction can be applied as
with any other typical motion picture negative film.
For more information on the KODAK VISION2 HD
System, please refer to the KODAK VISION2 HD Digital
Processor User Guide, Part No. 4F2310.
IMAGE STRUCTURE
The modulation-transfer and diffuse rms granularity curves
were generated from samples of 7299 Film exposed with
tungsten light and processed as recommended in Process
ECN-2 chemicals. For more information on image-structure
characteristics, see KODAK Publication No. H-1, KODAK
Motion Picture Film available online at http://
www.kodak.com/US/en/motion/support/h1.
MTF
The "perceived" sharpness of any film depends on various
components of the motion picture production system. The
camera and projector lenses and film printers, among other
factors, all play a role. But the specific sharpness of a film
can be measured and charted in the Modulation Transfer
Curve.
rms Granularity:
Refer to curve.
Read with a microdensitometer, (red, green, blue) using a
48-micrometer aperture.
The "perception" of the graininess of any film is highly
dependent on scene content, complexity, color, and density.
Other factors, such as film age, processing, exposure
conditions, and telecine transfer may also have significant
effects.