Filter
Top Products
Quickadjust
Sharpening
==
N ,._. Contrast
Brightness
_ Saturation
Hue
_ _ Filter
_ effects
_ Toning
Choose from options between -2 and +2 to reduce or exaggerate the effect
of the selected Picture Control (note that this resets all manual adjustments).
For example, choosing positive values for Vivid makes pictures more vivid.
Not available with Neutral, Monochrome, or custom Picture Controls.
Control the sharpness of outlines. Select A to adjust sharpening
automatically according to the type of scene, or choose from values between
0 (no sharpening) and 9 (the higher the value, the greater the sharpening).
Select A to adjust contrast automatically according to the type of scene, or
choose from values between -3 and +3 (choose lower values to prevent
highlights in portrait subjects from being "washed out" in direct sunlight,
higher values to preserve detail in misty landscapes and other low-contrast
subjects). Not available when Active D-Lighting (_ 94) is on; reset ifActive
D-Lighting isactivated after value is changed.
Choose -1 for reduced brightness, +1 for enhanced brightness. Does not
affect exposure. Not available when Active D-Lighting (_ 94) is on; reset if
Active D-Lighting isactivated after value is changed.
Control the vividness of colors. Select A to adjust saturation automatically
according to the type of scene, or choose from values between -3 and +3
lower values reduce saturation and higher values increase it).
Choose negative values (to a minimum of-3) to make reds more purple,
blues more green, and greens more yellow, positive values (up to +3) to
make reds more orange, greens more blue, and blues more purple.
Simulate the effect of color filters on monochrome photographs. Choose
from OFF (the default setting), yellow, orange, red, and green (_ 110).
Choose the tint used in monochrome photographs from B&W (black-and-
white), Sepia, Cyanotype (blue-tinted monochrome), Red, Yellow, Green,
Blue Green, Blue, Purple Blue, Red Purple (_ 110).
"A" (Auto)
Results for auto contrast and saturation vary with exposure and the position of the subject in
the frame.
109