3-23
RU
3-22
ALARM OUT (¬¤’ŒƒÕŒ… —»√Õ¿À
“–≈¬Œ√»)
K‡Ê‰ÓÏÛ ‚ıÓ‰Û Ò˄̇· “–≈¬Œ√» ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
Ó‰ËÌ ËÁ 3 ‚˚ıÓ‰Ó‚ Ò˄̇· “–≈¬Œ√». (¬˚ıÓ‰
ALARM3 ˇ‚ΡÂÚÒˇ ÂÎÂÈÌ˚Ï ¬¤’ŒƒŒÃ).
ALARM PATTERN (ÿ¿¡ÀŒÕ “–≈¬Œ√»)
›Ú‡ ÙÛÌÍˆËˇ ÛÒڇ̇‚ÎË‚‡ÂÚ ‚˚ÔÓÎÌÂÌËÂ
ÔÂÂÏ¢ÂÌËÈ ÔÓ ÿ¿¡ÀŒÕ” (PATTERN) ÔË
ÔÓÒÚÛÔÎÂÌËË ‚ıÓ‰ÌÓ„Ó Ò˄̇· “–≈¬Œ√».
ÃÂÊ‰Û ‚ıÓ‰‡ÏË Ò˄̇· “–≈¬Œ√» Ë œ–≈ƒ”—
“¿ÕŒ¬K¿Ã» (PRESET) ËÏÂÂÚÒˇ ÒÎÂ‰Û˛˘ÂÂ
ÒÓÓÚ‚ÂÚÒÚ‚ËÂ: ALARM 1 - PRESET 1, ALARM 2 -
PRESET 2, ALARM 3 - PRESET 3, ALARM 4 -
PRESET 4, Ë MOTION - PRESET 5.
œË ÔÓÒÚÛÔÎÂÌËË Ò˄̇· “–≈¬Œ√» ‚ˉÂÓ͇χ
·Û‰ÂÚ ÓÒÚ‡‚‡Ú¸Òˇ ‚ ÔÓÁˈËË PRESET ‚ Ú˜ÂÌËÂ
‚ÂÏÂÌË, ÍÓÚÓÓ ·˚ÎÓ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ÔÓ‰ÏÂÌ˛
DWELL TIME Ë ·Û‰ÛÚ ÌÂÔÂ˚‚ÌÓ ‚˚ÔÓÎÌˇÚ¸Òˇ
ÔÂÂÏ¢ÂÌˡ ÔÓ ÿ¿¡ÀŒÕ” (PATTERN),
ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏÛ ‰Îˇ ‚ıÓ‰‡ Ò˄̇· “–≈¬Œ√».
AUX OUT CONTROL
(¬—œŒÃŒ√¿“≈À‹ÕŒ≈ ”œ–¿¬À≈Õ»≈ ¬¤¬ŒƒŒÃ —»√Õ¿À¿)
≈ÒÎË ‚ ÏÂÌ˛ ̇ÒÚÓÈÍË ‚˚·‡Ì‡ ÓÔˆËˇ OFF (¬¤KÀ.), ÚÓ Ò˄̇Î˚ Ú‚ӄË
Ì Ó͇Á˚‚‡˛Ú ‚ÎˡÌˡ ̇ ‚˚·Ó ¯‡·ÎÓ̇. ›ÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ 1
➞
PATTERN1, 2 ➞ PATTERN2, 3 ➞ PATTERN3, ÔÓÒÚÓˇÌÌÓ ‰‚ËÊÂÌË HALF1
➞ PATTERN1 + PATTERN2, ÔÓÒÚÓˇÌÌÓ ‰‚ËÊÂÌË HALF2 ➞ PATTERN2 +
PATTERN3, Ë ÔÓÒÚÓˇÌÌÓ ‰‚ËÊÂÌË FULL (œŒÀÕŒ≈) ➞ PATTERN1 +
PATTERN2 +PATTERN3.
›Ú‡ ÙÛÌÍˆËˇ ÛÒڇ̇‚ÎË‚‡ÂÚ ÔÓÒÚÓˇÌÌÓÂ
‚˚ÔÓÎÌÂÌË ÔÂÂÏ¢ÂÌËÈ ‚ ÂÊËÏ ALARM OUT
(¬¤¬Œƒ —»√Õ¿À¿ “–≈¬Œ√») ËÎË ÚÓθÍÓ ÔË
ÔÓÒÚÛÔÎÂÌËË Ò˄̇· “–≈¬Œ√».
≈ÒÎË ‚˚·‡Ì‡ ÓÔˆËˇ OFF, ÚÓ ÔÂÂÏ¢ÂÌˡ ‚
ÂÊËÏ ALARM OUT ·Û‰ÛÚ ‚˚ÔÓÎÌˇÚ¸Òˇ ÚÓθÍÓ ÔË
Ò‡·‡Ú˚‚‡ÌËË Ò˄̇· “–≈¬Œ√» (‡ÍÚË‚Ì˚È
“ÌËÁÍËÈ ÛÓ‚Â̸”), ‡ ÂÒÎË ‚˚·‡Ì‡ ÓÔˆËˇ ON,
ÔÂÂÏ¢ÂÌˡ ‚ ÂÊËÏ ALARM OUT ·Û‰ÛÚ
‚˚ÔÓÎÌˇÚ¸Òˇ ‚Ò„‰‡, ÌÂÁ‡‚ËÒËÏÓ ÓÚ Ò˄̇·
“–≈¬Œ√».
OTHER SET (ƒ–”√»≈ ”—“¿ÕŒ¬K»)
AC (ÄÇíéåÄíàóÖëäÄü äÄãàÅêéÇäÄ)
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ÄÇíéåÄíàóÖëäìû
äÄãàÅêéÇäì. Ç ‚ˉÂÓ͇Ï SCC-641P ËÏÂÂÚÒfl ÙÛÌ͈Ëfl ÄÇíéåÄíàóÖëäéâ
äÄãàÅêéÇäà, ÍÓÚÓ‡fl ÔÓ‚˚¯‡ÂÚ ÚÓ˜ÌÓÒÚ¸ ‡·ÓÚ˚ ˝ÎÂÍÚÓÔË‚Ó‰Ó‚
íêÄçëîéäÄíéêÄ Ë èÄçéêÄåàêéÇÄçàü / çÄäãéçÄ. Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Ó‰ÌÛ
ËÁ ÒÎÂ‰Û˛˘Ëı ÓÔˆËÈ: OFF (Çõäã.)/6ç (6 ˜‡ÒÓ‚)/12ç/18/ç/24ç. óÂÂÁ ‚˚·‡ÌÌ˚Â
ËÌÚ‚‡Î˚ ‚ÂÏÂÌË Ì‡ ˝Í‡Ì ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË (·ÂÁ ÍÓχ̉˚ ÔÓθÁÓ‚‡ÚÂÎfl)
ÔÓfl‚ÎflÚ¸Òfl Ë̉Ë͇ˆËfl A.C. (ÄÇíéåÄíàóÖëäÄü äÄãàÅêéÇäÄ), Ë ·Û‰ÂÚ
‚˚ÔÓÎÌflÚ¸Òfl ͇Î˷ӂ͇ ˝ÎÂÍÚÓÔË‚Ó‰Ó‚ Ú‡ÌÒÙÓ͇ÚÓ‡ Ë
èÄçéêÄåàêéÇÄçàü / çÄäãéçÄ.
PROPORTIONAL P/T
(èêéèéêñàéçÄãúçéÖ èÄçéêÄåàêéÇÄçàÖ/çÄäãéç)
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚˚ÔÓÎÌflÚ¸ „ÛÎËÓ‚ÍÛ ÓÚÌÓ¯ÂÌËfl ÒÍÓÓÒÚË
èÄçéêÄåàêéÇÄçàü / çÄäãéçÄ Í ÍÓ˝ÙÙˈËÂÌÚÛ Û‚Â΢ÂÌËfl Ó·˙ÂÍÚË‚‡ ÔË
‚˚ÔÓÎÌÂÌËË Û˜ÌÓ„Ó ÛÔ‡‚ÎÂÌËfl èÄçéêÄåàêéÇÄçàÖå / çÄäãéçéå. ÖÒÎË ‚˚
‚˚·ÂÂÚ ‰Îfl PROPORTIONAL P/T ÓÔˆË˛ ON (Çäã.), ÚÓ ÒÍÓÓÒÚ¸
èÄçéêÄåàêéÇÄçàü / çÄäãéçÄ ·Û‰ÂÚ Û‚Â΢˂‡Ú¸Òfl ‚ ÂÊËÏÂ
¯ËÓÍÓÛ„ÓθÌÓ„Ó Ó·˙ÂÍÚË‚‡ (ZOOM WIDE) Ë ·Û‰ÂÚ ÛÏÂ̸¯‡Ú¸Òfl ‚ ÂÊËÏÂ
ÚÂÎÂÓ·˙ÂÍÚË‚‡ (ZOOM TELE) ÔË Ó‰ÌËı Ë ÚÂı Ê ԇ‡ÏÂÚ‡ı Û˜ÌÓ„Ó ÛÔ‡‚ÎÂÌËfl.
HOME RETURN (¬Œ«¬–¿Ÿ≈Õ»≈ ¬ »—’ŒƒÕŒ≈ œŒÀŒ∆≈Õ»≈)
≈ÒÎË Ì ·˚· ̇ʇڇ ÌË Ó‰Ì‡ Í·‚˯‡ ËÎË Ì ‚˚ÔÓÎÌˇÎËÒ¸ ÌË͇ÍËÂ
‰Û„Ë χÌËÔÛΡˆËË ‚ Ú˜ÂÌË ÓÔ‰ÂÎÂÌÌÓ„Ó ‚ÂÏÂÌË, ‚ˉÂÓ͇χ
‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÁ‚‡˘‡ÂÚÒˇ ‚ »—’ŒƒÕŒ≈ ÔÓÎÓÊÂÌËÂ. »—’ŒƒÕŒ≈
ÔÓÎÓÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ̇Á̇˜ÂÌÓ ‚ ÏÂÌ˛ HOME POSITION (»—’ŒƒÕŒ≈
œŒÀŒ∆≈Õ»≈).
”—“¿ÕŒ¬K¿ ¬–≈Ã≈Õ» ƒŒ ¬Œ«¬–¿Ÿ≈Õ»fl ¬ »—’ŒƒÕŒ≈
œŒÀŒ∆≈Õ»≈
OFF: ¬˚Íβ˜ÂÌË ÙÛÌ͈ËË ¬Œ«¬–¿Ÿ≈Õ»fl ¬ »—’ŒƒÕŒ≈
œŒÀŒ∆≈Õ»≈
OFF
➞ 1 ÏËÌ. ➞ 2 ÏËÌ. ➞ 3 ÏËÌ. ~ 60 ÏËÌ. ➞ ~12 ˜‡ÒÓ‚
AUTO FLIP (¿¬“ŒÃ¿“»◊≈—K»… œ≈–≈¬Œ–Œ“)
œË ‚˚ÔÓÎÌÂÌËË Ì‡ÍÎÓ̇ ‚ˉÂÓ͇ÏÂ˚ ‰Ó Ô‰ÂθÌÓ„Ó Á̇˜ÂÌˡ 90
o
Ò
ÔÓÏÓ˘¸˛ ‰ÊÓÈÒÚË͇, ‚ˉÂÓ͇χ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‚Ó‡˜Ë‚‡ÂÚÒˇ ̇
180
o
Ë ÔÓ͇Á˚‚‡ÂÚ ÔÓÚË‚ÓÔÓÎÓÊÌÛ˛ ÒÚÓÓÌÛ. ›ÚÓ Û‚Â΢˂‡ÂÚ Ó·Î‡ÒÚ¸
ÔÓÒÏÓÚ‡ ̇ 180
o
ÔË Ì‡ÍÎÓÌ ‚ˉÂÓ͇ÏÂ˚.
HOME POSITION (»—’ŒƒÕŒ≈ œŒÀŒ∆≈Õ»≈)
¬˚ ÏÓÊÂÚ ‚˚·‡Ú¸ »—’ŒƒÕŒ≈ œŒÀŒ∆≈Õ»≈ ËÁ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı
ÔÓÎÓÊÂÌËÈ Ò ÌÓχÏË ÓÚ 0 ‰Ó 127.
ALARM OUT
ALARM1 1
ALARM2 2
ALARM3 3
ALARM4 2
MOTION 1
EXIT QUIT
ALARM PATTERN
ALARM1 OFF
ALARM2 OFF
ALARM3 1
ALARM4 2
MOTION 3
EXIT QUIT
AUX OUT CONTROL
OUT1 OFF
OUT2 OFF
OUT3 ON
EXIT QUIT