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The Shooting Menu
D
D
WHITE BALANCE
WHITE BALANCE
For natural colors, choose a setting that matches
the light source (for an explanation of “white bal-
ance,” see the Glossary on page 92).
Option
Option
Displayed in
Displayed in
A
White balance adjusted automatically.
i
For subjects in direct sunlight.
j
For subjects in the shade.
k
Use under “daylight” uorescent lights.
l
Use under “warm white” uorescent lights.
m
Use under “cool white” uorescent lights.
n
Use under incandescent lighting.
If AUTO does not produce the desired results (for
example, when taking close-ups), choose the op-
tion that matches the light source.
1 Notes
• Turn the ash o (pg. 24) to take pictures that re ect
the color of the original light source.
• Results vary with shooting conditions. Play pictures
back after shooting to check colors in the monitor.
O
O
QUALITY
QUALITY
Choose the size and quality at which still pictures
are recorded. Large pictures can be printed at
large sizes with no drop in quality; small pictures
require less memory, allowing more pictures to
be recorded.
Option
Option
Prints at sizes up to
Prints at sizes up to
BF
31 × 23 cm (12 × 9 in.). Choose BF for high-
quality prints.
BN
D16 : 9
31 × 21 cm (12 × 8 in.). Aspect ratio is 16 : 9.
G
22 × 16 cm (8.5 × 6.5 in.).
H
17 × 13 cm (7 × 5 in.).
I
14 × 10 cm (5.3 × 4 in.).
I16 : 9
14 × 9 cm (5.3 × 3.5 in.). Aspect ratio is 16 : 9.
J
5 × 4 cm (2 × 1.5 in.). Suited to e-mail or the
web.
The number of pictures that can be taken at cur-
rent settings (pg. 93) is displayed to the right of
the quality icon in the monitor.
1 Note
Image quality is not reset when the camera is turned
o or another shooting mode is selected.