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Getting the Most Out of Your Camera
Snapshots
Shooting with Optimum Setups
➞USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .98
Portrait, Scenery, Night Scene, Night Scene Portrait, Children, etc
Adding Special Effects
➞USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .98
Monochrome, retro, etc.
Compensating for Hand or Subject Movement
➞
Reducing the Effects of Hand and Subject Movement .104
Increasing Sensitivity when Lighting is Dim
➞Taking Bright Images without Flash . . . . . . . . . . . . . .105
Making Images of Business Cards, Documents, and
Meeting Information (White Board) Easier to Read
➞Shooting Images of Business Cards and Documents
(Business Shot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106
Selecting the Best Focus Mode for Shooting Conditions
➞Changing the Focus Mode . . . . . . . . . . . . . . . . . . . . .112
Eliminating Light Source Color Cast
➞Controlling White Balance. . . . . . . . . . . . . . . . . . . . . .123
Sharpening or Softening Subject Outlines
➞Controlling Image Sharpness . . . . . . . . . . . . . . . . . . .129
Enhancing or Reducting Color Satuation
➞ Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . 130
Increasing or Decreasing Contrast
➞ Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . 130
Movies
Normal Movie Recording
➞ Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Limiting Movie Length
➞ Using Short Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Capturing Action Occurring before
the Shutter Button is Pressed
➞ Using Past Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Snapshots
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